"Syncing 2301"

SimpleXMLElement {#386
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    "priref" => "2301"
    "created" => "2024-10-29T08:49:47"
    "modification" => "2025-08-12T13:55:10"
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  +"edit.date": "2025-08-12"
  +"edit.time": "13:55:10"
  +"Collection": SimpleXMLElement {#436
    +"collection.name": SimpleXMLElement {#467
      +"value": "Kunst"
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  +"Dating": SimpleXMLElement {#447
    +"dating.date.end": "2021-12-03"
    +"dating.date.start": "2021-12-03"
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  +"Description": SimpleXMLElement {#453
    +"description": SimpleXMLElement {#470
      +"value": array:2 [
        0 => """
          Deze vrijdagochtend konden de bezoekers luisteren naar muziek van de Zweedse componiste Maria W Horn, dankzij een nieuwe samenwerking tussen de Oude Kerk en het FIBER Festival. De samenwerking vergemakkelijkte de wereldwijde ontwikkeling van nieuwe orgelmuziek, die zich langzaam ontvouwde in de prachtige akoestiek van kerken en kathedralen. Bovendien resoneerde het beroemde Vater-Müller-orgel voor het eerst sinds de omvangrijke restauratie van de Oudekerk-toren was voltooid. \n
          \n
          Dit concert was een ontmoeting tussen het achttiende-eeuwse Vater-Müller en elektronische muziekinstrumenten. Horn en organist Mats Erlandsson speelden een doorlopende set waarin zij twee klanklagen over elkaar heen legden: die van het orgel en die van de computer. Zo creëerden zij een site-specific en hybride instrument dat het timbre van het orgel en de akoestische eigenschappen van de ruimte versterkte en transformeerde. De verankering van nieuwe klanken in de harmonische taal van de traditionele orgelmuziek is uniek in de aanpak van Horn en Erlandsson. Hoe klinkt het Vater-Müller-orgel uit 1724 in dialoog met computergegenereerde klanken en hoe versmelten de twee in de akoestiek van de Oude Kerk?
          """
        1 => """
          This Friday morning, visitors got to listen to music by Swedish composer Maria W Horn, thanks to a new collaboration between the Oude Kerk and the FIBER Festival. The collaboration facilitated the worldwide development of new organ music, which slowly unfolded in the magnificent acoustics of churches and cathedrals. In addition, the famous Vater-Müller organ resonated for the first time since the extensive restoration of the Oudekerk tower was completed. \n
          \n
          This concert was a meeting of the eighteenth-century Vater-Müller and electronic musical instruments. Horn and organist Mats Erlandsson played a continuous set in which they superimposed two layers of sound: that of the organ and the one the computer composed. Thus, they created a site-specific and hybrid instrument that amplified and transformed the timbre of the organ and the acoustic properties of the space. The anchoring of new sounds in the harmonic language of traditional organ music is unique to Horn and Erlandsson’s approach. How does the 1724 Vater-Müller organ sound in dialogue with computer-generated sounds and how do the two fuse in the acoustics of the Oude Kerk?
          """
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  +"Media": array:5 [
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  +"Part_of": SimpleXMLElement {#459
    +"part_of.title": SimpleXMLElement {#474}
    +"part_of_reference": "000044"
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  +"Production": array:2 [
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      +"creator": "Horn, Maria W."
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      +"related_object.reference": "2021F"
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  +"Title": SimpleXMLElement {#465
    +"title": SimpleXMLElement {#476
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        0 => "Silence #33: x Fiber Festival: Maria W Horn en Mats Erlandsson"
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  +"guid": "dd1dd5d3-b422-4064-a158-22db9557cc5d"
  +"input.date": "2023-05-24"
  +"input.source": "COLLECT>intern"
  +"input.time": "16:03:28"
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  +"object_number": "2021F-S1"
  +"priref": "2301"
  +"record_access.owner": "Stagiair"
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