"Syncing 2300"

SimpleXMLElement {#386
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    "priref" => "2300"
    "created" => "2024-10-29T08:49:47"
    "modification" => "2025-08-12T13:55:09"
    "selected" => "false"
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  +"edit.date": "2025-08-12"
  +"edit.time": "13:55:09"
  +"Associated_person": SimpleXMLElement {#455
    +"association.person": "Sweelinck, Jan Pietersz."
    +"association.person.lref": "51"
  }
  +"Collection": SimpleXMLElement {#447
    +"collection.name": SimpleXMLElement {#467
      +"value": "Kunst"
    }
  }
  +"Dating": SimpleXMLElement {#436
    +"dating.date.end": "2021-11-05"
    +"dating.date.start": "2021-11-05"
  }
  +"Description": SimpleXMLElement {#449
    +"description": SimpleXMLElement {#470
      +"value": array:2 [
        0 => "2021 markeerde het 400e sterfjaar van een van de grootste componisten die Nederland gekend heeft: Jan Pieterszoon Sweelinck. Tijdens zijn leven was hij de spil in het Amsterdamse muziekleven. Sweelinck had een uitgebreide lespraktijk, componeerde psalmen, motetten en klavierwerken, speelde veelvuldig bij mensen thuis en gaf dagelijks een concert in de Oude Kerk als stadsorganist. Uit heel Europa kwamen musici naar Amsterdam om bij hem te leren improviseren en componeren. Het moet Sweelinck pijn hebben gedaan toen de protestanten in 1581de instrumentale en meerstemmige kerkmuziek afschaften – maar van twist hierover is niets bekend. Ondanks het schrappen van de kerkmuziek schreef Sweelinck meerstemmige bewerkingen van de 150 Geneefse psalmen. Zodat ze door ensembles van vier tot acht mensen konden worden gezongen: thuis, in de huiskamers van debinnenstad. Uit deze collectie klinken vanochtend vijf psalmen. Nu niet in de huiskamer, maar in de Oude Kerk. Niet uitgevoerd door zangers, maar door een veelkleurig gezelschap van musici op blokfluit, viool, altviool, basklarinet en cello."
        1 => "The year 2021 marked the 400th anniversary of the death of one of the greatest composers the Netherlands has ever known: Jan Pieterszoon Sweelinck. During his lifetime Sweelinck was the pivot of the Amsterdam music scene. He had an extensive teaching practice, composed psalms, motets and piano works, often played in people’s homes and gave daily concerts in the Oude Kerk as the city organist. Musicians from all over Europe came to Amsterdam, where he taught them to improvise and write compositions. Although Sweelinck must have been pained when the Protestants abolished instrumental and polyphonic church music in 1581, there is no record of any dispute. Despite the ban on church music, Sweelinck wrote polyphonic arrangements of the 150 Geneva psalms to allow ensembles of four to eight people to sing them at home, in the inner city’s living rooms. Five psalms from this collection are presented this morning, not in someone’s living room, but in the Oude Kerk and not performed by singers, but by a varied group of musicians on recorder, violin, viola, bass clarinet, and cello."
      ]
    }
  }
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    +"digital_reference": "Handout_Silence#32_NLENG_DEF.pdf"
    +"digital_reference.description": SimpleXMLElement {#472
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  +"Material": SimpleXMLElement {#452
    +"material": SimpleXMLElement {#474
      +"value": array:2 [
        0 => "instrumenten"
        1 => "instruments"
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    +"material.lref": "1361"
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  +"Media": array:5 [
    0 => SimpleXMLElement {#453
      +"media.reference": "Oude Kerk Silence 32 door Maarten Nauw high res 06.jpg"
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      +"media.reference": "Oude Kerk Silence 32 door Maarten Nauw high res 04.jpg"
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      +"media.reference": "Oude Kerk Silence 32 door Maarten Nauw high res 17.jpg"
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      +"media.reference": "Oude Kerk Silence 32 door Maarten Nauw high res 11.jpg"
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      +"media.reference": "Oude Kerk Silence 32 door Maarten Nauw high res 13.jpg"
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      +"object_category": SimpleXMLElement {#490
        +"value": array:2 [
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          1 => "public program"
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      +"object_category": SimpleXMLElement {#492
        +"value": array:2 [
          0 => "Silence"
          1 => "Silence"
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  +"Part_of": SimpleXMLElement {#461
    +"part_of.title": SimpleXMLElement {#476}
    +"part_of_reference": "000044"
    +"part_of_reference.lref": "2391"
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  +"Production": array:2 [
    0 => SimpleXMLElement {#462
      +"creator": "Jan Pietersz."
      +"creator.lref": "8573"
      +"creator.role": SimpleXMLElement {#495
        +"value": array:2 [
          0 => "componist"
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    1 => SimpleXMLElement {#463
      +"creator": "Dahinden, Roland"
      +"creator.lref": "81616"
      +"creator.role": SimpleXMLElement {#497
        +"value": array:2 [
          0 => "performer"
          1 => "performer"
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  ]
  +"Title": SimpleXMLElement {#464
    +"title": SimpleXMLElement {#478
      +"value": array:2 [
        0 => "Silence #32: Jan Pieterszoon Sweelinck en Roland Dahinden"
        1 => "Silence #32: Jan Pieterszoon Sweelinck and Roland Dahinden"
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  }
  +"guid": "75d5f285-7a10-427a-9404-0f1cc0628742"
  +"input.date": "2023-05-24"
  +"input.source": "COLLECT>intern"
  +"input.time": "14:58:47"
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  +"location.default.name": "Middenschip"
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    +"value": array:8 [
      0 => "LOCATION"
      1 => "location"
      2 => "standplaats"
      3 => "Standort"
      4 => "plats"
      5 => "מיקום"
      6 => "placering"
      7 => "位置"
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  +"object_number": "2021-S1"
  +"priref": "2300"
  +"record_access.owner": "Stagiair"
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