"Syncing 2295"

SimpleXMLElement {#386
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    "priref" => "2295"
    "created" => "2024-10-29T08:49:47"
    "modification" => "2025-08-12T13:55:06"
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  +"edit.date": "2025-08-12"
  +"edit.time": "13:55:06"
  +"Collection": SimpleXMLElement {#452
    +"collection.name": SimpleXMLElement {#467
      +"value": "Kunst"
    }
  }
  +"Dating": SimpleXMLElement {#444
    +"dating.date.end": "2019-09-06"
    +"dating.date.start": "2019-09-06"
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  +"Description": SimpleXMLElement {#435
    +"description": SimpleXMLElement {#470
      +"value": array:2 [
        0 => "Deze editie van de serie Silence vond plaats in het Hoogkoor. In de ruimte stonden twaalf lessenaars opgesteld. Violist Diamanda Dramm speelde de 6 delen van La lontananza nostalgica utopica futura van Luigi Nono, terwijl ze van lessenaar naar lessenaar liep. Ze sloeg telkens één of meerdere lessenaars over: er is geen directe weg van a naar b in de uitvoering. Rondom de koorruimte stonden acht luidsprekers opgesteld, die vier groepen van elektronische klanksporen doorgaven: geluiden van de attack van de viool, melodische en harmonische klanken uit vioolimprovisaties. Maar ook gestapelde en geabstraheerde vioolklanken en alledaagse geluiden van stemmen, deuren en stoelen. Samen dwaalden Dramm en klankregisseur Wouter Snoei door het labyrint van klank, volgens een min of meer afgesproken route. De door Luigi Nono gecomponeerde klanksporen vormden de basis een nieuw weefsel van live vioolspel en klankregie."
        1 => "This edition of the Silence series took place in the High Choir. Lined up in the space were twelve music stands. Violinist Diamanda Dramm played the six movements of Luigi Nono’s 'La lontananza nostalgica utopica futura' as she walked from music stand to music stand. She skipped one or more music stands each time: in the performance, there is no direct way from a to b. Arranged around the choir were eight loudspeakers that relayed four groups of electronic soundtracks: sounds of the violin’s attack and melodic and harmonic sounds from violin improvisations, but also sandwiched and abstracted violin sounds and the everyday sounds of voices, doors and chairs. Together, Dramm and sound director Wouter Snoei roamed through this labyrinth of sound following a – more or less – prearranged route. The soundtracks composed by Luigi Nono formed the warp for a new weft of live violin playing and sound direction."
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    +"digital_reference": "silence 23 handout.pdf"
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      +"creator": "Diamanda Dramm"
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  +"Title": SimpleXMLElement {#465
    +"title": SimpleXMLElement {#476
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        0 => "Silence #23: La Lontananza Nostalgica Utopica Futura"
        1 => "Silence #23: La Lontananza Nostalgica Utopica Futura"
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  +"input.date": "2023-05-23"
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  +"record_access.owner": "Stagiair"
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