"Syncing 2281"
Retrieving: https://ouk-apw.adlibhosting.com/webapi/wwwopac.ashx?database=collect&search=priref='2281'
Added or Updated: Gathering #3: Future Sounds and Beyond: The Non-Aligned (2281)
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Tijdens de installatie Garden of Scars organiseerde de Oude Kerk een uitgebreid publieksprogramma onder de naam Gatherings, gekoppeld aan de thema's van Ibrahim Mahama's werk en aan actuele kwesties. Bezoekers werden uitgenodigd om de artistieke interventie vanuit een ander perspectief te verkennen door middel van concerten, rondleidingen, performances en andere activiteiten.\n
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Gedurende drie weekends nodigde de Oude Kerk gemeenschappen van denkers, muzikanten en reizigers uit om midden in de Tuin der Littekens verhalen van beide zijden van de Atlantische Oceaan te delen. In de eeuwenlange relatie met Europa hebben Afrika en zijn diaspora te maken gehad met de verschrikkingen van verscheuring. Tegelijkertijd is er een vermogen tot groei in deze anderszins uitbuitende destructieve relatie. Geluiden en verhalen reisden, veranderden en vermengden zich door ruimte en tijd, op weg naar het nieuwe nu en het geluid dat al in de oren van de toekomstige generatie klinkt.\n
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Op uitnodiging van kunstenaar en curator Richard Kofi verkennen DJ Chinnamasta, choreograaf en performer Christian Guerematchi en rapper Suzooki Swift via muziek en performance de betekenis en verscheidenheid van zwarte Europese identiteit. Centraal staat het begrip ‘the non aligned’, ontleend aan de internationale politieke beweging, opgezet tijdens de Koude Oorlog door landen die niet bij het Westen en niet bij de Sovjet Unie wilde horen. Wat betekent een non-aligned positionering in de kunst? Kan het bijdragen aan artistieke vrijheid? Inspireert het onze (politieke) identiteitsvorming of activisme? En wat voelen we in onze lichamen als we ons vrij denken van dominante geschiedschrijving en politieke systemen?
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Subsequent to the installation Garden of Scars, the Oude Kerk organised a comprehensive public programme under the name of Gatherings, linked to the themes of Ibrahim Mahama’s work as well as current issues. Visitors were invited to explore the artistic intervention from a different perspective through concerts, tours, performances, and other activities.\n
\n
Over three weekends, the Oude Kerk invited communities of thinkers, musicians, and travellers to share stories from both sides of the Atlantic in the midst of the Garden of Scars. In its centuries-long relationship with Europe, Africa and its diaspora have faced the horrors of being torn apart. At the same time, there is a capacity for growth in this otherwise exploitative destructive relationship. Sounds and stories travelled, changed and blended together through space and time, working towards the new now and the sound that is already ringing in the ears of the future generation.\n
\n
Invited by artist and curator Richard Kofi, DJ Chinnamasta, choreographer and performer Christian Guerematchi and rapper Suzooki Swift explore the meaning and diversity of black European identity through music and performance. Central to this is the concept of ‘the non-aligned’, taken from the international political movement set up during the Cold War by countries that did not want to belong to the West or the Soviet Union. What does a non-aligned positioning mean in art? Can it contribute to artistic freedom? Does it inspire our (political) identity formation or activism? And what do we feel in our bodies when we think ourselves free from dominant historiography and political systems?
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