"Syncing 2166"
Retrieving: https://ouk-apw.adlibhosting.com/webapi/wwwopac.ashx?database=collect&search=priref='2166'
Added or Updated: Here Is Where We Meet (2166)
SimpleXMLElement {#386
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0 => """
De Argentijns-Nederlandse kunstenaar Aimée Zito Lema dook in de archieven van de Oude Kerk. Geïnteresseerd in momenten in de geschiedenis waarop mensen zich verzetten, vielen twee gebeurtenissen in de Oude Kerk haar op. De beeldenstorm, die op 23 augustus 1566 plaatsvond in de Oude Kerk, en de plaatsing van een rood venster van kunstenaar Giorgio Andreotta Calò in de Heilig Grafkapel, waar een lange rechtszaak op 17 maart 2020 en een uitspraak van de Raad van State, lange tijd voor weerstand zorgde. De sporen van beide conflicten vormden het basismateriaal voor het nieuwe werk van Zito Lema, dat bestond uit fotografie, sculpturen, textielwerken, poëzie en een installatie met bassins.\n
\n
De beeldtaal van de installatie (bouwlampen, steigers) deed denken aan restauratiewerkzaamheden die eeuwig aan de gang zijn in de kerk, en symbool staan voor zowel verandering als voor het tegengaan van verandering. Je zag waterbassins met foto’s en bouwelementen, je hoorde gedichten uitgesproken worden en dwalend door de kerk kwam je een aantal sculpturen tegen waarin foto’s op papier waren verwerkt. In het hoogkoor hingen twee omvangrijke textielwerken. Al deze elementen samen stonden stil bij de manier waarop herinnering werkt voor een individu en voor een groep. \n
\n
In de Collegekamer vond een kleine presentatie van werk van de Argentijnse kunstenaar León Ferrari (1920–2013) plaats, waarmee het werk van Aimée Zito Lema verbinding heeft. Ze groeide op met zijn werk en bekeek zijn werk opnieuw tijdens de eerste lockdown. Gedurende haar onderzoek voor deze tentoonstelling ontstonden vragen over de relatie tussen beeld en taal in het kader van verzet. En zo viel deze nieuwe parallel met zijn werk haar op. Met zijn gedichten, collages en zelfs een brief aan de paus waarschuwde Ferrari voor een ‘wreedheid die innig vermengd is met de vriendelijkheid die haar bedekt.’ Het persoonlijke leven van de kunstenaar, de verhouding tot religie en de geopolitieke ontwikkelingen in zijn tijd zijn herkenbaar in de geselecteerde werken.
"""
1 => """
Argentine-Dutch artist Aimée Zito Lema delved into the archives of the Oude Kerk. Interested in moments in history when people resisted, two events in the Oude Kerk caught her eye. The iconoclasm, which took place in the Oude Kerk on 23 August 1566, and the installation of a red window by artist Giorgio Andreotta Calò in the Chapel of the Holy Sepulchre, where a lengthy court case on 17 March 2020 and a ruling by the Council of State, caused long-standing opposition. The traces of both conflicts formed the basic material for Zito Lema's new work, which consisted of photography, sculptures, textile works, poetry, and an installation with basins.\n
\n
The imagery of the installation (construction lamps, scaffolding) was reminiscent of restoration work going on forever in the church, symbolising of both change and resisting change. You saw water basins with photos and building elements, you heard poems being spoken, and wandering through the church you came across a number of sculptures incorporating photos on paper. Two elaborate textile works hung in the high choir. All these elements together reflected on how memory works for an individual and for a group. \n
\n
A small presentation of work by Argentinian artist León Ferrari (1920-2013) took place, to which the work of Aimée Zito Lema connects. She grew up with his work and revisited his work during the first lockdown. Throughout her research for this exhibition, questions about the relationship between image and language were in the context of resistance. And so this new parallel with his work caught her eye. With his poems, collages and even a letter to the pope, Ferrari warned against a "cruelty intimately mixed with the kindness that covers it. The artist's personal life, relationship to religion and geopolitical developments of his time are recognisable in the selected works.
"""
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}
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1 => "Aimée's emails on first sketches"
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}
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