"Syncing 2147"

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    "created" => "2024-10-29T08:49:45"
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  +"edit.date": "2026-04-16"
  +"edit.time": "10:47:14"
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    +"collection.name": SimpleXMLElement {#490
      +"value": "Kunst"
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    +"dating.date.end": "2015-03-26"
    +"dating.date.start": "2015-03-26"
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  +"Description": SimpleXMLElement {#456
    +"description": SimpleXMLElement {#493
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        0 => """
          Voor het werk Oude Kerk Untitled (2015) verwijderde Germaine Kruip alle elektrische lichtbronnen in de kerk, waardoor het gebouw aan het eind van de dag een zichtbare transformatie naar de duisternis onderging. Dit moment van schemering, evenals Kruips interesse voor geometrie, wiskundige patronen, abstracte vormen in religie en de perceptie van ruimte en tijd, vormden de basis voor de scenografie voor vier edities van Come Closer. Elke maand begon het programma precies een half uur voor zonsondergang, waardoor elke editie van deze serie een ander begintijdstip had.\n
          \n
          Vanaf het begin van het programma liep performancekunstenaar Luca Hillen met drie tot vijf mede-performers grote cirkels door de hele kerk, en werden bezoekers uitgenodigd om mee te doen - zonder dit letterlijk te zeggen, maar middels beweging. Deze aaneengesloten wandelingen van een uur, waaraan veel bezoekers deelnamen en anderen liever toekeken, waren een belichaamde ervaring waarbij de snelheid en manier van lopen werd bepaald door de dynamiek van de groep, als een zwerm vogels. Door herhaling ontstond er een patroon, dat ruimte gaf om steeds opnieuw naar het interieur van de kerk te kijken, terwijl de omgeving geleidelijk donkerder werd. In hetzelfde uur vonden steeds twee andere korte interventies (performances of korte lezingen) plaats op verschillende plekken in de kerk, meestal in de zijruimtes.\n
           \n
          Op 26 maart bestond het programma uit een geluidsperformance door kunstenaar Mehraneh Atashi in een kleine zijruimte van de Oude Kerk, het Heilig Graf. Hier voegde Atashi’s synthesizer en zang van de operazanger Shadi Fallah, die een koerdisch slaaplied neuriede, een nieuwe laag toe aan de voortdurende drone klanken van The Entrance van Germaine Kruip. De avond eindigde met een korte en poëtische reflectie door filosoof en schrijver Patrick Healy in het Hoogkoor. 
          """
        1 => """
          For the work 'Oude Kerk Untitled' (2015), Germaine Kruip removed all electric light sources in the church, causing the building to undergo a visible transformation into darkness at the end of the day. This moment of twilight, as well as Kruip's interest in geometry, mathematical patterns, abstract forms in religion and the perception of space and time, formed the basis for the scenography for four editions of Come Closer. Each month, the programme started exactly half an hour before sunset, giving each edition of this series a different starting time.\n
          \n
          From the start of the programme, performance artist Luca Hillen and three to five co-performers walked large circles throughout the church, inviting visitors to join them - without saying so literally, but through movement. These continuous one-hour walks, in which many visitors participated and others preferred to watch, were an embodied experience in which the speed and manner of walking was determined by the dynamics of the group, like a flock of birds. Through repetition, a pattern emerged, giving space to look at the interior of the church again and again, as the surroundings gradually darkened. In the same hour, two other short interventions (performances or short readings) took place each time in different places in the church, mostly in the side rooms.\n
           \n
          On 26 March, the programme consisted of a sound performance by artist Mehraneh Atashi in a small side space of the Oude Kerk, the Holy Sepulchre. Here, Atashi's synthesiser and vocals by opera singer Shadi Fallah, humming a Kurdish lullaby, added a new layer to the continuous drone sounds of Germaine Kruip's The Entrance. The evening ended with a short and poetic reflection by philosopher and writer Patrick Healy in the High Choir. 
          """
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    +"exhibition": "Geometry of the Scattering"
    +"exhibition.date.end": "2016-03-27"
    +"exhibition.date.start": "2015-11-25"
    +"exhibition.organiser": "Oude Kerk Amsterdam"
    +"exhibition.reference_number": "4"
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