"Syncing 2071"
Retrieving: https://ouk-apw.adlibhosting.com/webapi/wwwopac.ashx?database=collect&search=priref='2071'
Added or Updated: Poems for Earthlings (2071)
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Poems for Earthlings is geïnspireerd op de manier waarop erfgoed wordt beschermd in tijden van oorlog. Het omvat een acht uur durende soundscape met geluiden uit de geschiedenis van de wereld: van walvissen en stervende talen tot het opstarten van een computer. Het werk draaide om het verschil tussen de behandeling van materieel erfgoed (gebouwen, kunstschatten) en die van immaterieel erfgoed (klanken, talen). De installatie die Adrián Villar Rojas ter plaatse ontwikkelde, is tijdelijk en van voorbijgaande aard; na de tentoonstelling is er niets tastbaars meer over. Deze manier van werken staat in schril contrast met de ongeschreven regels die de kunstmarkt in stand houden. Zijn werk toont zijn eigen vergankelijkheid - en dreigt daarmee in de vergetelheid te raken. Hij laat zien wat gedoemd is te verdwijnen en wat niet - en misschien niet - behouden kan blijven. Gedichten voor aardbewoners vormt een radicale vraag over de vraag of erfgoed, musea en verzamelinstellingen duurzaam zijn in een tijdperk waarin het om meer gaat dan de dominerende westerse manier om de wereld om ons heen te definiëren.\n
\n
Adrián Villar Rojas: “De Oude Kerk is een andere verkenningsfase, waar ik menselijke obsessie met erfgoed, conservering en materiële accumulatie (goud, kunst, gebouwen, naalden, wat dan ook, maar vooral als het waardig, waardevol of verhandelbaar is) analyseer vanuit de ongrijpbaarheid en oneindige overvloed aan geluid. Tegelijkertijd stel ik een introspectieve reis voor door ons eigen persoonlijke verhaal via deze metaforische geschiedenis van geluid. Ik probeer altijd reflectie, emotie op gang te brengen, me op de wereld te concentreren vanuit negativiteit, afwezigheid en verlies, ongeacht met wat voor soort materie (tastbaar of niet) ik te maken heb."
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Poems for Earthlings was inspired by the way in which heritage is protected in times of war. It included an eight-hour soundscape with sounds from the history of the world: from whales and dying languages to a computer starting up. The work centred around the difference between the treatment of material heritage (buildings, art treasures) and that of immaterial heritage (sounds, languages). The installation Adrián Villar Rojas developed on site is temporary and transient; after the exhibition, nothing tangible is left. This way of working contrasts starkly with the unwritten rules that uphold the art market. His work showed his own transience – and thus risks oblivion. He showed that which is doomed to disappear and that which cannot – and perhaps should not – be preserved. Poems for Earthlings formed a radical question on whether heritage, museums and collecting institutions are sustainable in an era where it comes to more than the dominating Western way of defining the world around us. \n
\n
Adrián Villar Rojas: “The Oude Kerk is another exploration stage, where I analyze human obsession with heritage, conservation and material accumulation (gold, art, buildings, needles, whatever, but especially if it is worthy, valuable or tradable) from the intangibility and infinite abundance of sound. At the same time, I propose an introspective journey through our own personal story via this metaphorical history of sound. I always try to trigger reflection, emotion, focusing on the world from negativity, absence and loss, no matter what kind of matter (tangible or not) I’m dealing with.”
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